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Thursday, September 22, 2011

Playwright Portrait, John Patrick Shanley, Excerpt from Celllini

The Playwright John Patrick Shanley, 2008

Cellini
Adopted from the Autobiography of Beuvenuto Cellini
CELLINI: Now it pleased my glorious Lord and Immortal God that at last I had brought whole to completion. The Duke was stationed at a window low upon the first floor of the palace. Just above the entrance to the piazza. There, half hidden, he could hear everything that folk were saying of my statue. So on a certain Thursday morning, before the sun was fully in the heavens, and before such a multitude as I have never before or since seen, I exposed my Perseus to the public gaze. Florence! Florence! (The lights change. The company sees the Perseus. We do not. The, as first, have no reaction except to draw back ever so slightly, Then, one by one, led by Bandinello and Riccio, they begin to applaud. One breathes, “Bravo” another “Che Bella,”another “Magnifica” another “Grandiosa” another“Bellisima”Cellini faces the Pope and genuflects, He faces the Duke and bows, He throws Caterina a kiss. She returns it. Then he signals them tosilence and speaks to us). There are those who say I worked the metal too much. That my Perseus has failed the terrible test of greatness. Some flaw of proportion in the work. Perhaps. But I say to you, as I prepare to tell my life, no man can will himself to excellence. No fool or hero, of his own, can climb from the sky to Heaven itself. Such things are the province of Almighty God. But God looks down with favor on those who are merely animals, eating and drinking and fucking and dying. God looks down—and Time is nothing to Him, and our doubts are nothing to Him—He looks down with favor upon the fellow who tries his hand, who never gives up, though upon the wheel of the world turns against him and reveals to his mortal eye the insufficiency. The Creator of us all looks down upon our lives and hopes for us that we are not animals only. But that we behave in a way that does us merit on the level of divine. Whether that be in Kindness, or in Justice, or in Erudition, or in Workmanship, or in Love or Teaching or, in my pitiful case, Art. My Life has saved me, my Nature has uplifted me. I am ashamed of nothing, I have killed men and beaten women and ridiculed my enemies and I am ashamed of nothing. I will tell you. God will judge me. I have already judged myself. Write this, (the boy opens his book and poises his pen) I am happy that I was born. I have dwelt in the presence of greatness> Hold there a moment. (To the audience) Pray upon the telling of your tale, that you can say the same. Across 443 years, and all the way from Florence, buona sera. And Benvenuto.
COMPANY. (simultaneously) Benvenuto. (The lights fade. Darkness. Celebratory music. Curtain call)







Monday, September 5, 2011

Playwright Portrait, Bill Bowers, Excerpt from It Goes Without Saying


Bill Bowers Playwright and Mime, 2007
pswb©2011
IT GOES WITHOUT SAYING
Bill:
When people find out that I am a mime,
it usually begs the question, "Why?"
"What got you interested?"
"How could this have happened to you??!"
I’m a mime because I'm from Montana. Not that Montana is known as a hotbed of mime action; but still, it is BIG and QUIET. All that sky and all that land…it can render you …speechless. And that moon. There is nothing like a Montana Moon. When I was a kid I spent a lot of time looking up at that moon. I thought it was there just for me. That it followed me wherever I went. And I thought it actually changed shape from night to night:- from half to whole, crescent to quarter. I remember the night when I was about eight, I first saw the whole of the moon…when I saw the dark side too. I thought I was the only one who knew. It was our secret. Just between us.


Monday, August 15, 2011

Playwright Portrait, Nilo Cruz, Excerpt from Anna in the Tropics


The Playwright Nilo Cruz, 2006
pswb©2011
Anna in the Tropics.
Marela:
Everything in life dreams. A bicycle dreams of becoming a boy, an umbrella dreams of becoming the rain, a pearl dreams of becoming a woman, and a chair dreams of becoming a gazelle and running back to the forest.

Monday, August 8, 2011

Thursday, July 28, 2011

Will, My Nephew and Godson


Will
pswb©2011

The Playwrights Lee Blessing and Melanie Marnich, 2008




The Playwrights Lee Blessing and Melanie Marnich,  2008

pswb©2007

BLUR by Melanie Marnich
 
Scene: Apartment. DOT and JOEY. JOEY has a present for her.

DOT: What is it?
JOEY: Open it! Open it! Open it!
(DOT tears into the package and pulls out a beautiful globe. In relief. So she can feel the continents, borders, countries.)
JOEY: It’s in Braille, in relief, so you can feel the places.
(JOEY spins the globe and her fingers travel.)
DOT: Kiss me. I’m through the roof.
Kiss me, I’m crossing the river.
I’m climbing the Empire State.
I’m on the Blue Ridge.
I’m swimming the channel.
I’m crossing the parallel.
I’m over the Great Wall.
(They kiss.)


A Body of Water. by Lee Blessing


AVIS: . . . this morning when I was getting dressed, I thought . . . I
might be up here trying to get you to marry me . . . But then
I found out we were married. And we have all this. For a
moment, anyway . . . And we have a lovely daughter too,
who does so many things for us . . . apparently.
. . . And you know what else I was thinking? I was thinking
that maybe this is what happiness looks like. If we could see
it, I mean. Does that make sense? Perhaps we're simply
caught in . . . a state of happiness. And there's no need to get out.

Tuesday, June 28, 2011

Playwright Portrait, Nilaja Sun, Excerpt from No Child...




The Playwright Nilaja Sun, 2007

pswb©2011

No Child...


MS.SUN. Hi. I’m Ms. Sun. Take your seats now. And as of today and for the next six weeks, when I’m in this classroom, you will not be using the word faggot or bitch or nigga or motherfucker or motherfuckerniggabitchfaggot. Anymore, Dominicans shall not be called and will not call each other dumb in a cans or platanos.
COCA. Ah, y pero quien e heta? Esa prieta?
MS. SUN. La prieta soy yo, senorita (Coca is speechless)
BRIAN. Shrimp fwy why? Shrimp fwy why! (no one else laughs)
MS. SUN. We will respect our teacher’s ethnicity.
BRIAN. Shrimp fwy why??? (no one else laughs.)
MS. SUN. Ladies will not call each other heifers or hos.
SHONKRIKA. Shoot! That whay I’m talkin’ about.
MS. SUN. We will start class on time. We will eat our breakfast beforehand. And from now on we are nothing but thespians.
XIOMORA. Lesbians? I ain’t no Rosie O’Donnell.
MS SUN. No no! Thespian! It means actor, citizen, lover of all things great.
XIOMARA. I love that hard cash bling-bling.
MS. SUN. Say it with me class, thespian.
XIOMARA (Bored) Thespian.