Playwright Portrait, Young Jean Lee, 2007, Excerpt from Groundwork of the Metaphysic of Morals x

Playwright Portrait, Young Jean Lee, 2007, 

GROUNDWORK OF THE METAPHYSIC OF MORALS:

FAH LO SEE:

Everything is fairly clear and straightforward, like on a balcony in bare feet with the stone of the balcony against your face, shot in the back, fallen to the ground with an arrow sticking out of your head.

And I’m sorry to have been such a disappointment to you. I mean that sincerely. But I also feel kind of like, fuck you.

Playwright Portrait, Young Jean Lee, Excerpt from Groundwork of the Metaphysic of Morals

The Playwright Young Jean Lee, 2007
copyright Peter Bellamy 2010

GROUNDWORK OF THE METAPHYSIC OF MORALS:

FAH LO SEE:

Everything is fairly clear and straightforward, like on a balcony in bare feet with the stone of the balcony against your face, shot in the back, fallen to the ground with an arrow sticking out of your head.

And I’m sorry to have been such a disappointment to you. I mean that sincerely. But I also feel kind of like, fuck you.

Playwright Portrait, Young Jean Lee, Excerpt from Groundwork of the Metaphysic of Morals

The Playwright Young Jean Lee 2007
copyright Peter Bellamy 2010

from the Play: GROUNDWORK OF THE METAPHYSIC OF MORALS:

FAH LO SEE:

Everything is fairly clear and straightforward, like on a balcony in bare feet with the stone of the balcony against your face, shot in the back, fallen to the ground with an arrow sticking out of your head.

And I’m sorry to have been such a disappointment to you. I mean that sincerely. But I also feel kind of like, fuck you.